I had the pleasure recently to interview fantasy author Annie Lima Douglass about her latest novel, The Gladiator and the Guard, the second in her the Krillonian Chronicles series. Here’s what she has to say about it.
Hi Annie, thanks for being with us today! Your new series seems both dark, and intriguing. Could you start by telling us a bit about your current series and the world the books are set in?
Annie Lima Douglass: The Gladiator and the Guard is the second book in the Krillonian Chronicles, the first one being The Collar and the Cavvarach. The stories take place in a world almost exactly like our own. Although most aspects of the culture are just about what they are currently on Earth, a few sports are different, such as the martial art known as cavvara shil. The main difference, however, is that slavery is legal there.
The Krillonian Empire rules much of the world. An emperor, who is never named, governs from the capital city, Krillonia, on the continent known as Imperia. Eight separate provinces (originally independent nations before they were conquered) can be found on nearby continents. Each province, plus Imperia, is allowed to elect its own legislature and decide on many of its own laws, but the emperor reserves the right to veto any of them and make changes as he sees fit. This seldom happens, however, and to most people the emperor is merely a vague and distant ceremonial figure.
The prevalence of slavery is probably what would stand out the most to visitors from Earth. There are nearly as many slaves in the city of Jarreon, where both books take place, as free people. Many families own one or more slaves who do their housework and yardwork. Businesses often own a large number of slaves, usually for manual labor, though some are trained for more complex tasks. Those who don’t own their own slaves may “hire in” one belonging to someone else. The accepted rate for an hourly wage is two-thirds the amount that a free person would earn for equivalent labor (the money goes to the slave’s owner, of course).
Here’s the back-cover blurb for The Collar and the Cavvarach :
Bensin, a teenage slave and martial artist, is desperate to see his little sister freed. But only victory in the Krillonian Empire’s most prestigious tournament will allow him to secretly arrange for Ellie’s escape. Dangerous people are closing in on her, however, and Bensin is running out of time. With his one hope fading quickly away, how can Bensin save Ellie from a life of slavery and abuse?
And the blurb for The Gladiator and the Guard :
Bensin, a teenage slave and martial artist, is just one victory away from freedom. But after he is accused of a crime he didn’t commit, he is condemned to the violent life and early death of a gladiator. While his loved ones seek desperately for a way to rescue him, Bensin struggles to stay alive and forge an identity in an environment designed to strip it from him. When he infuriates the authorities with his choices, he knows he is running out of time. Can he stand against the cruelty of the arena system and seize his freedom before that system crushes him?
Tell us about the martial art in these books. What is involved in it? Did you have to do a lot of research for the action scenes?
Annie: The martial art is one I made up, called cavvara shil. It is fought with a cavvarach, a weapon similar to a sword but with a steel hook protruding from partway down its top edge. Competitors can strike at each other with their feet as well as with the blades. You win in one of two ways: disarming your opponent (hooking or knocking their cavvarach out of their hands) or pinning their shoulders to the mat for five seconds.
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